Vipassanā · Zongtong Temple
4 December 2025 — 10 January 2026
- Material
- Ink, pu-erh tea water, Chinese mineral pigments, charcoal and incense ash on raw xuan paper
- Dimensions
- 100 × 35 cm
Twelve Links of Dependent Origination · 2 of 21
Picture Story
Ignorance → Volitional Formations → Consciousness → Name-and-Form → Six Sense Bases → Contact → Sensation → Craving → Clinging → Becoming → Birth → Ageing & Death.
The artist's creation does not begin from 'intention' (avidyā) but from contact (触) with the material and sensation (受) in the body. Intention is retrospective — the reflective product of paccavekkhaṇā-ñāṇa (reviewing knowledge).
Project Story
From 4 December 2025 to 10 January 2026, the artist Lao Mu undertook a forty-one-day intensive Vipassanā retreat at Wat Jong Thong (宗通寺) in Chiang Mai, Thailand. Throughout the retreat, painting served as an action-record, leaving traces of movement on a 35 cm × 50 m raw xuan paper scroll.
《宗通寺》 is the extreme meeting of conceptual performance and the ink tradition. Between observer and observed exists an angle — that is the 'who am I?' The forty-one days were not a search for an answer, but time's material sedimentation: letting the question surface on its own.
Ink · pu-erh ripened tea water · Chinese mineral pigments · charcoal · incense ash · raw xuan paper (35 × 50 m scroll and individual 35 × 35 cm and 35 × 100 cm panels).